Earth Matters, Mixed Media Collages by Fran Skiles, on View through September 26, 2014 at Adkins Arboretum
August 6, 2014
Thereâs so much to look at in Fran Skilesâs abstract landscapes that youâll want to linger over each and every one. On view through Sept. 26 at the Adkins Arboretum Visitorâs Center, her mixed media collages are bold and energetic and full of fascinating intricate details. There will be a reception on Sat., August 16 from 3 to 5 p.m. to meet the artist.
With a masterful eye for composition, Skiles focuses on earth tones with occasional flashes of bright red, blue or purple as she deftly layers photos, paint, paper and fabric. She is deeply influenced by nature, especially the lush landscapes of Shepherdstown, W. Va., and Fort Lauderdale, Fla., where she lives. As she works, her images evolve, just as nature evolves. And just as landscapes are formed from a range of geological forces, seasonal changes and human activity, her collages incorporate many sources.
âItâs intuitive,â Skiles explained. âI donât start with an idea. I follow my instincts as far as color and shape, but my work is landscape based.â
In the early 1990s, Skiles was creating art quilts. Intended to be hung on a wall, they were stitched together in a patchwork of different fabrics, some printed with photographs, some painted as one would paint a canvas.
One of these quilts, âBlue Fish,â is included in the Adkins Arboretum show. A large fabric panel of glowing blue and shadowy black, it brims with activity. There are veils of color, scribbly marks and sweeping gestures of creamy paint along with a wonderfully mismatched variety of textures. Some are visualâa photo of a fish with delicate scales, patterns of stenciled paintâ while others are physicalâneatly stitched seams, unfinished fringed edges of fabric stiffened with paint, and a section of coarse netting with metallic glints showing here and there.
The process of piecing quilts together naturally led Skiles to work with collage on paper, fabric or board. Although these multilayered works are abstract, theyâre full of animated movement. Itâs as if you had just caught a glimpse of the graceful slope of a hill, a bristling tangle of weeds, or an animal darting for cover. And they are full of mystery. Deep dark blacks give way suddenly to surprising patches of vibrant color or unidentifiable fragments of photographs. Semi-transparent Japanese rice paper half hides the washy stains and brushwork underneath. Everywhere, thereâs a feeling of solidity but also a sense of change that seems to speak of seasons and time passing.
When she works, Skiles has paint and drawing materials at the ready, but she also relies on a collection of what she calls âparts,â different kinds of paper that she has already painted, printed or sketched on, along with photographs and pages from old books.
âI could spend a month or more strictly making parts,â she said. âA really basic part of the work is to have this collection.â
Pointing to a collage with a piece of semi-transparent Japanese rice paper spattered with ink marks, she continued, âI didnât create that for it. I went into my box of parts and found it and put it there. Itâs part no plan, part plan, but mostly no plan. I wait and hope the piece develops its voice so it will direct me what to do with it. I really depend on that, the piece itself asking for what it needs.â
This show is part of Adkins Arboretumâs ongoing exhibition series of work on natural themes by regional artists. It is on view through Sept. 26 at the Arboretum Visitorâs Center located at 12610 Eveland Road near Tuckahoe State Park in Ridgely. Contact the Arboretum at 410-634-2847, ext. 0 or email@example.com for gallery hours.